Free illustrations software for windows

The icons in this pack are mostly scraps, trials and rejected icon styles. Sometimes also when icons to be created are kinda difficult, it helps a lot doing some quick illustrations in a simple and flat style like this. This pack is made from recollected scrap and trials icons, revised and with some details that made a pack good for submission.
All the Scrap Icons are available in PNG fomat.

The Revelator Grayscale-to-Color application was designed to accentuate faint but nevertheless important details embodied in grayscale images.The process converts grayscale images to color in accordance with a transformation palette. Palettes are created using a simple text editor. For this purpose, program PalEd is supplied as a component of Revelator.
Colors used to highlight a subjects details may or may not bear resemblance with their natural hues; the principal aim being to make indistinct objects more conspicuous. Revelator also incorporates flexible reverse processing - that is, color-to-grayscale transformation.
Applications of Revelator Grayscale-to-color include color washes of grayscale images to improve their aesthetic value. Industrial and research activities often apply pseudo colors to grayscale pictures so that faint delineations become more apparent. And, astronomy is another field where grayscale images are colored to great effect. But there are probably many instances where pictures need scrutinizing carefully, otherwise important information can be overlooked. This may be the intention in some graphic presentations - that is, to hide certain detail from the casual viewer. Illustrations of such possibilities are demonstrated here.
Full documentation is available by clicking the Revelator title box inside the control panel at the top left-hand side of the Revelator screen (depicted in the Screen Shot) that appears when Revelator is started.
System requirements:
- Pentiums 2, 4 or AMD Athlon machines.
- 1024 x 768 pixels and True color 32bit display.

Though Kendricks Monster is a work of fiction, it is not pure fabrication. All the crimes described within have a firm foundation in factual modern experience. Consider:
At the age of three, Theodore Bundy awakened his caregiver when he disturbed her while stashing large knives under her mattress. He killed for the first time when he was fourteen, at which time a local neighborhood girl disappeared to her death. Bundy often wandered the streets at night, playing with imaginary friends, which activity quickly developed into criminal voyeurism.
Jesse Pomeroy regularly tortured and killed animals as a young child. He brutally murdered two young boys when he was only fourteen years of age. While the evidence against him was instantly damning (they found the mummified corpse of one young girl in the basement of his home), and despite his many confessions, Pomeroy eventually claimed he was innocent, because a voice in [his] head told him to say so.
As early as the age of eight, Arthur Shawcross developed imaginary friends, with which he would speak using strange voices. By his early teens, he spent hours walking in the woods yelling at inanimate objects and beating the undergrowth with a stick, as if in torment from unseen demons.
David Berkowitz said of his crimes, "The demons never stopped. I couldnt sleep. I had no strength to fight. I could barely drive. Coming home from work one night, I almost killed myself in the car. I needed to sleep. The demons wouldnt give me any peace."
While these are merely anecdotal illustrations of a murderous psyches development, they nonetheless beg a central question; are these individuals evil and what is the true nature of this evil?
Perhaps these are real, tangible demons born of an unknown, nether world. Worse still, perhaps they are fantastic, intangible demons, born of a tormented mind, fashioned from the fabric of the human nature, which is the fabric that binds us all.